This month's featured
artists.............
Ruth Cohen and Archie Johnson

Mud and Fire Potters
Little Meadows,
Pennsylvania
Ruth
Cohen and Archie Johnson realized a life-long dream when in 2003
they purchased property in a rural, northeastern Pennsylvania
town and established Mud and Fire Potters.
Both studied pottery at Pratt Institute in the 1970s, but
each pursued a “first” career along life’s road – Ruth as an
educator and public school principal and Archie as an architect.
“We had always planned to establish a studio,” says Ruth.
“Arc hie is a pyromaniac and loves wood firing.
We looked for a place near Woodstock, but after the
post-9/11 flight from the city, real estate prices
sky-rocketed.”
Instead, they turned to rural Pennsylvania, where prices were
reasonable and wood smoke from their kilns could waft freely.
Archie’s architectural skills were put to use redesigning
the existing house on the property, and designing the new
gallery/studio building and kiln shed.
They operate two kilns, affectionately named
Dante, a noborigama
kiln, and
Firefly, a bourry box.
Archie
was raised in Jamaica and those influences can be seen in his
designs. Both Ruth and
Archie draw on Jamaican and African traditional and contemporary
design, as well as Asian and Western traditions.
Archie’s wheel-thrown sculptural pieces incorporate shell
markings and stamps. Ruth
creates functional stoneware pieces, many with Asian influences.
Their pots are wood-fired, with or without glaze and
natural ash, which produces intriguing textured surface patterns
with earthy hues.
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Ruth and Archie’s rural
Eden was shattered one morning in November of 2008,
shortly after Barak Obama was elected president.
Archie stepped outside to head to the studio, in
his usual routine, and saw that someone had burned a
cross on their property.
The incident drew the attention of local and
national media and it was eventually determined that the
perpetrators were from a nearby village.
It was an extremely stressful time |
We have learned that finding a
voice with clay is a never-ending process. Insights
gleaned from ancient and current masters guide us in
exploring traditional and contemporary design elements
in this centuries old craft/art form. As clay is
transformed while spinning through our fingers, we know
that today’s organic forms are subtly different from
those made a year ago and the vision for tomorrow’s will
gradually unfold, yielding boundless creative freedom. |
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for
the couple.
Shortly thereafter, Archie suffered a severe cerebral
hemorrhage
and their lives were radically changed. |
The prognosis
was grim. Ruth moved
into Archie’s room in the ICU, sleeping on the floor until the
nurses found her a recliner.
“I was constantly with him,” she recalls. After five
weeks in intensive care, the imminent danger was over and Archie
was ready for rehabilitation.
Ruth watched the therapists show Archie flash cards with
simple words and pictures.
“He was despondent.
I went home and got some clay.
Archie loves jazz, so I brought some CDs.
Immediately, he was interested.”
Ruth guided his hands, patiently teaching him the
simplest techniques, beginning with a primitive pinch pot.
Slo wly, over time,
Archie began to heal.
Over a 5-month period, Ruth refused to accept that Archie
would not “come back,” and she continued to be encouraged by his
response to clay and music.
Those first pinch pots sit in their studio, as a reminder
of how far Archie has come.
Today, he is troubled only by slow speech and some vision
loss.
The small town of Little Meadows rallied around the couple,
providing meals and support.
They even built a wheelchair ramp on their home.
Ruth says, “Archie was so determined that he refused even
a walker – so we never really even needed it!”
He came home and returned to the studio, gradually
“becoming a human being again,” as Ruth says.
Determined to stay and continue to evolve in their life’s
work, Ruth and Archie built on what they had started and moved
forward. Ruth
expresses gratitude for the support they were given, from the
local community and from their mentors in the pottery community.
“Kevin Crowe, our mentor since the 1990s, and
his mentor, Jack Troy,
were so encouraging, driving out to support us during this
time.”
Prior to
Archie’s illness, they conducted seven classes each week at the
studio, an undertaking that relied heavily on Ruth’s background
in education. Archie
jokes,
“She’s still the teacher – the principal!,” but Ruth counters,
“Yes – and you’re the superintendent!”
Currently, they offer classes only on Saturdays, with a
small group of local students.
Their focus is on their work, the work that carried them
through a trauma and that has adapted to reflect time’s healing.
Archie says, “I want to
use the time I have been given to passionately create.
I am always looking for new directions.”
Ruth and Archie look
forward to the upcoming warm weather, which means regular firing
of “Firefly.” The
first
spring firing is scheduled for the weekend of May 18 and 19.
Two open house weekends are scheduled in late June and
early July. July also
brings the annual weekend workshop with their mentor, Kevin
Crowe. Crowe offers a
weekend workshop of hands-on throwing, entitled, “Ying and Yang:
Throwing Large Pots & Tea Bowls – No Mystery.
Methodology, not Muscle.”
Crowe’s workshops inspire participants to expand their
artistic imagination. See
the box below for more information.
Mud and Fire Potters is located at 1002 Bow Bridge Road in Little Meadows, PA, just one mile east of State
Route 858. Look for
a large stone bearing the insignia
on
the side of the road.
Call ahead to ensure that the gallery is open.
Or, peruse the online gallery at
www.mudandfirepotters.com
Archie and Ruth’s pottery is also
available at several other locations in New York and
Pennsylvania.
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Ying and Yang:
Throwing large Pots &
Tea Bowls
No Mystery –
Methodology Not Muscle
A weekend hands-on throwing
workshop with
KEVIN CROWE
July 21 – July 22, 2012
This workshop will focus on expanding participants’
vocabulary of scale while exploring different techniques
required in moving large volumes of clay.
Bring a willingness to risk and a sense of humor.
Students are asked to bring a poem (any poem) and
a pot that has intrigued or inspired them.
Fee: $275 (includes 25 lbs. clay, continental breakfast
& lunch).
Limited to 12 intermediate to professional level
students.
Please bring your tools. Lodgings Nearby.
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For more information about Mud and
Fire Potters or the Kevin Crowe Workshop,
call (570)623-3335 or visit
www.mudandfirepotters.com
Email:
mudandfirepotter@aol.com.
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